We have beautiful new pieces by John Penman, Garry Nash, Lynden Over and Katie Brown in colours ranging from aqua/teal to rich red, and ranging in prices from $149 - $895. We also have a new delivery of Jo Luping bowls and jewellery - the stunning blossoms and moths designs. I love these, they are so delicate and with a strong message of preservation of our surrounding environment. Small treasures that make you think....

This time is always perplexing for me before Christmas. We wait, as retailers, for this busy time. We take great delight in being able to have happy customers by offering a match of piece/gift with price point. We understand that while desire of the larger and technically complex pieces are desirable, we really try and be sympathetic to having something special, no matter what the price is. We hope that comes across....

Katie Brown Exhibition

Last week we opened an exhibition featuring Katie Brown's handblown glass: "A Study of Pattern". In this exhibition, Katie has displayed her talent along with her artistic eye, her ability to tease this hot, fluid medium into the most stunning of delicate objects. Katie has used Italian techniques to show delicate lines, forming swirls and almost spiderweb like pattern on contrasting colours, such as black. red, dark blue, green and also white on clear - one of the most beautiful pieces....

The pictures speak for themselves.....the glass balls haning in the window glow and shimmer, working when the light is on or off, actually, which sounds a foregone conclusion but was actually a surprise to me.

Katie and I looked at some old images of her work from a few years ago, and in her usual, understated style said: gee, I have come a long way, ah!

Thank you, Katie, for providing us with such beautiful, stunning work to show off.

La Place Restaurant, Rotterdam, Holland

The first Taniko Installation in Europe can now be seen at La Place Restaurant in Rotterdam, Holland. Dutch Design Distribution, essenze's European representation, have a relationship with the chain of restaurants. The restaurants brief was to install hot, trendy product using natural materials with a definite eco/sustainable look and set of values. This installation came from Milan, where David Trubridge exhibited in Superstudio Pui in April this year. The Taniko Collection was developed by one of David's French design interns, so has now gone full circle back to Europe.

We look forward to the next restaurants in the pipeline, and congratulations to our team in Holland.

East Cape Magic

David Trubridge and I always joke about his walks on a beach, that they clear his mind, and cause a lot of work for me as a result of his mind clearing!

My equivalent of that is the escape that my family and I have when we go to the East Cape. This is a special place: spiritual, removed, slow paced, refined, wild, stunning and gentle. I absolutely love it.....On our last trip there we were travelling (slowly) to a local fishing competition to mix with the locals and listen to some stories. We were driving past an old building and my eye caught a spec of colour and design that captured my attention. 'Stop' I said to Stuart, a frequent occurrence, generally to take a photo. We parked and I pushed Stuart through to door to see if we could take a peak at what appeared to be a workshop. A smell of Totara filled the air, and we were suddenly in this totally mesmerizing environment of a local artist. He is a carver, making all the local work for his Iwi, and some commissions. His passion is painting, and as such, the walls are covered with stories of his life and his impressions of the modern world, in particular the religion that influences him. I was absolutely flabbergasted, and started plotting. A few days later we returned and bought one of the many disks that hung from the ceiling. I asked him whether he would be interested doing more, to which he said "yep - just send me the cardboard and the paint and I'll whip them up"...my intention was to take them to New York for ICFF this year, but we delayed our appearance until 2010 for obvious reasons.

In the meantime, our piece of cardboard hangs in the living room, reminding us to stay true to our passion we have for the East Cape and Eastern Bay of Plenty, and the mana we feel from being taken into the local community.

I will let all know when we have them in our gallery in Parnell, and finally take them to New York - can't wait for that!

Piha Day

Recently, some visitors from the South Island gave us an opportunity and reason to visit Auckland's wild West Coast. While they were up, here in Auckland, it was a particularly bleak and cold weekend. Biting, cold Southerly winds. Heavy, featureless grey skies.
We are spoilt for beach and sea here in Auckland, with two harbours and a multitude of city beaches where the sea is gentle and pohutakawas provide a friendly green embrace. But when the weather was like it was that particular weekend, it calls for something altogether more raw, a place wild and rugged. Piha beckoned.
Piha on the fringe of the Tasman Sea, a small ribbon of iron sand wedged between the cold deep and the towering Waitakere Ranges. On that day, the wind ripped across the beach, dragging sand low and fast, flattening the roiling white surf and clearing the beach of normal strollers and fossickers. Only the hardy were there.
We walked and talked, admired the angry sea, the flat sky and the closeness of the bush. Eventually, faces rubbed raw from the wind, we retreated to the car. Refreshed and alive.

Designex, Auckland, June 2009

Another City, another trade show....that is what we expected. But...

We had a wonderful time! This could have something to do with the fact that we didn't have the jet-lag or needed to find our freight and negotiate it out of customs, both normal frustrations when showing overseas. No, we just trotted on up to the hall and went about our business.

My team and I were delighted to launch the first essenze collection of Cronz Rugs, designed by Lucy Tupu, as well as the Waka and Wave Lights by Collis Studio and of course show Kete, one of the 3 designs of 'Baskets of Knowledge' by David Trubridge.

For some now, it has frustrated me that we are very good at exporting high quality raw material, only to re-import the finished goods. Textiles also form the 3rd obsession in the design industry I have, lighting and glass being the other two. So, after working with Cronz for a number of months I am proud to say that we have officially launched the essenze designer rug collection, the first series of which is designed by Lucy Tupu, made by Cronz for essenze. Lucy Tupu is a New Zealand designer based in New York, and has the most stunning sense of style and forms, sensual and sexy with a hint of New Zealand and divine use of colour. We displayed two of the Cloud series at designex, both of which made huge impact.

For Christchurch based Cronz we also have developed a grid system which will allow customers to select from the endless options with more ease: we have taken 12 of the best designs Cronz work with, and provided samples in a selection of colour, yarn and pile height options, each framed in a white surrounding to ease the eye into selection. We are totally in love with the possibilities with Cronz - the quality, the colours, the designs and the feeling that we are actually selling and eventually exporting this raw material in form of high quality, world-leading rugs.

David Trubridges Petal was a delight to show, a new direction and welcomed in style and price by interior designers. But of course it was the Kete that stole the scene: fresh from Milan, many visitors had read about the 'Baskets of Knowledge" , seen the photos or the fellow basket in the window of essenze in Parnell. To see them in person is quite overwhelming, their size being quite overwhelming along with the shadows they make on the ground. Stunning. For more on the story of Kete, go to www.davidtrubridge.com/the-story/.

Collis Studio have taken their craft and design ability to new strength, combining existing function with their craft and playing with light. The Waka Wall Lights were seen exactly the way we had hoped: as perfect centre pieces for hotel foyers and/entrance areas in receptions. They are strong, ethnic, elegant and perfectly executed, we are so proud of Peter. Julie's flowing style of application of designs to glass lend themselves to being light, as Julie demonstrates in the Wave Lights. The colour and pattern is from subtle to jazzy, and lights up glowingly when the surrounding is light controlled. The Collis lighting will be released in Parnell in August.

Joug Design is a newcomer to our stable, and we showed the Frangipani light in the Resene Feature display area and on their stand, both of which essenze styled. It was in particular the Joug light that captured the trade, as the positioning over dining tables creates great light and soft patterns. We are delighted to finally have Jelles lights in store.

Katie Brown in her stunning style provides the surprising, deductive imagery of New Zealand work not necessarily associated with New Zealand - hand blown glass created into a contemporary chandelier. Woof!

Overall, the show was a great success. We were in hot demand, and bounced between 2 and 3 place on the tracking device of numbers of people on the stand. It proved to me that there is a need to work with interior designers and architects to assist in creating sophisticated New Zealand design environments.

The Maiden Post, funky huh?

Here we are!